2023-01-05 NBA常规赛 雷霆VS魔术

婚礼

不谙世事的千金小姐李世娜（张娜拉饰）自幼生长在富裕家庭里，优越的环境让她集万千宠爱于一身。出生在乡下贫穷家庭里的韩成宇（柳时元饰），是一位依靠自身努力白手起家的外交官。成宇有一个从小青梅竹马的恋人申允秀（明世彬饰），然而面对父母的期望与压力，成宇迟迟不敢对允秀表白。成宇的前辈徐镇熙（李贤宇饰）是一个不重感情的花花公子，一直放荡不羁的生活着。 　　冥冥中，这两对年轻男女的爱情在上天的安排下交织在了一起。在允秀随镇熙去了日本嫁给他之后，痛失所爱的成宇居然在包办婚姻下娶了世娜为妻。本来就身处两个世界里格格不入的世娜和成宇，他们的结婚之路更是争吵冲突不断。

魔幻大森林

　　女主角克拉的父亲某日追逐受伤的麋鹿而潜入树林，自此消失无踪父亲消失后，母亲更因吸毒过量致死，十二年后，克拉和弟弟回到那片树林寻找记忆，竟然发现了这个埋藏于未来未知世界的神奇秘密。一个盘旋于古老与文明的战争，眼看即将展开…

燃情追踪(原声版)

默默无名的英国特工Eye（Ewan McGregor 饰）在美国花费了十多年的时间遮蔽一位女士Joanna——她被怀疑是多名凶杀案的凶手，被杀害的总是男士Eye的妻女已经死去，但是女儿的幻觉却时时出现。Joanna与他的女儿几乎有着同样的身世——在圣诞节被父亲抛弃、孤独地长大——她还有着出众的美貌和难以言喻的魅力，她热衷乔装打扮、善于改换人名，Eye似是守护天使一般，了解她的身世和过去，还在她有难的时候挺身救护。她们的命运相处交叉，处处触碰却始终没有密切同行。 谜一样的故事，有着谜一样的结局。

犬夜叉剧场版3天下霸道之剑

 犬夜叉剧场版天下霸道之剑全集动画于2003年12月20日在日本上映，是诹访道彦、植田益朗、岩田干宏导演的热血、冒险电影。 该片讲述了犬夜叉与杀生丸争夺丛云牙的故事。在很久以前的某个满月夜晚，有两个人影伫立于月光下。 犬大将、十六夜与刚出生之犬夜叉 犬大将、十六夜与刚出生之犬夜叉 一个是在背部及腰身挂着声称「全国蛮横」之三剑的大妖怪，另一个则是大妖怪的儿子－年轻时的杀生丸。爸爸正准备前往心爱的人类女子「十六夜」的居处。杀生丸站爸爸背面叫住了他。他要求犬大将将丛云牙和铁碎牙让给他。 可是爸爸在对他说了：「你有想要维护的东西吗？」这句话后，随即朝着天空飞去。 此刻，十六夜却遭到敬慕自个的武士刹那猛丸杀戮而丧身。 冲入火海的犬大将，靠着天生牙的力气救回了十六夜的生命。 将刚生下来的亲生儿子命名为「犬夜叉」，最後与刹那猛丸一起葬生火窟。

镖行天下前传之编外人选

盐帮势力扩张过猛，朝廷决定进行打压，车千户派出五人小组实施抓捕盐帮首领的计谋。而此时，盐帮副帮主万千里却暗地里杀死了帮主万廷玉，盐帮一时乱作一团。原来万千里是想借眼帮大会之际升任盐帮帮主，恰好谷平安也将盐帮圣物石尊押镖给盐帮长老，万千里高兴不已，却不料五人小组已做好缜密部署，万千里被及时抓获。可狡猾的万千里却利用丐帮传播消息救他，同时在五人小组内部进行策反，由于万千里的捣鬼，王兆兴被认为是叛徒，不想五人之一的长者却是反水者，长者顶着万千里的重金承诺，将其护送到荣州，王兆兴等人也历尽艰险，追随到荣州。最终众人万万没想到万千里拿着石尊竟然是要打开盐帮的宝库。然而万千里的美梦能成真吗？长者遗恨自己一个老龙骑禁军竟不如王兆兴这个新丁。可悲可叹啊！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

新闻女王粤

　　收视最高的六点半新闻报道是主播的必争之地。在新闻电视部，资深主播文慧心（佘诗曼饰）和梁景仁（马国明饰）分成两派、平分秋色，前者一番兴风作浪，终攀上管理层之位。黄金时段女主播的空缺，引发连场风暴！早、午、晚不同时段的女主播许诗晴（高海宁饰）、张家妍（李施嬅饰）、徐晓薇（何依婷饰），三人为求上位，不顾师徒情谊、新闻道德，在公不择手段争取表现，在私互挖疮疤、互相伤害。最终，有人从冷宫中找到战友，有人跳出主流另觅出路，有人却成为自己最讨厌的人。新人刘艳（王敏奕饰）一腔热诚，目击明争暗斗，只求不被同化、保持理想。心以为操控结果，便能掌握权力，然而老总监和老板另有盘算，不惜揭开她的不堪往事，拉她下马，以达成最终的改革计划。大家只顾争夺眼前一杯水，却忘了身后原来有一片汪洋。

跟随旋律

戴尔芬对舞蹈的热爱使她放弃了学业，与保守的父母展开对峙，爱她并且一直支持她的祖母以及偶遇的一个叛逆的舞者都在推动着戴尔芬参加著名的海选。因此，她开始反抗自己的母亲，因为她的母亲希望女儿有一个更传统的未来。

热血男儿

张大叔和儿子奇生以推车为生。张大叔爱钱如命，经常让劳累的儿子吃不饱。这一切的原因其实是张大叔想攒到一百元取隔壁铁匠的女儿做老婆。奇生和父亲辛苦了十几年终于凑够钱了，此时铁匠的老婆又提出还要要五件首饰，父子大伤脑筋。一日奇生路过街市，被演讲救国募捐的学生感动，立即回家将父子俩的积蓄捐了出来，张大叔痛不欲生。又一日，有一对男女学生遇到一群流氓，男学生吓得跑了，幸得奇生父子路过，才救下女学生。女学生感激，遂请奇生到自己家做花匠。那边铁匠女儿嫁了别人，张大叔大哭大闹。这边女学生之父逼她嫁入豪门。女学生跳窗逃出家，正好碰见张大叔，张大叔决定和奇生带着女学生一起离家远行。

疯狂的麦克斯4：狂暴之路

未来世界，水资源短缺引发了连绵的战争。人们相互厮杀，争夺有限的资源，地球变成了血腥十足的杀戮死战场。面容恐怖的不死乔在戈壁山谷建立了难以撼动的强大武装王国，他手下的战郎驾驶装备尖端武器的战车四下抢掠，杀伐无度，甚至将自己的孩子打造成战争机器。在最近一次行动中，不死乔的得力战将弗瑞奥萨（查理兹·塞隆 Charlize Theron 饰）带着生育者们叛逃，这令不死乔恼羞成怒，发誓要追回生育者。经历了激烈的追逐战和摧毁力极强的沙尘暴，弗瑞奥萨和作为血主的麦克斯（汤姆·哈迪 Tom Hardy 饰）被迫上路，而身后不仅有不死乔的追兵，还有汽油镇、子弹农场的重兵追逐。　　末世战争，全面爆发……

迷情专访

杂志记者Joey（郑惠玉）机缘巧合发现在车内遭人连轰数枪致死的商人华。Joey捡获死者的手提电话，华妻刚好来电，Joey无奈告之华的死讯。华妻悲痛不已，发出撕心的悲嚎声，令Joey难以释怀。Joey本想追查此案，却被派往香港工作，只好放弃。岂料Joey在港看见华妻在一记者招待会中对富商贾明道纠缠不清，声称贾是杀害华的凶手。Joey便借专访为名，调查贾明道与华的死是否有关。自此Joey结识了贾的助手Jimmy（谢韶光），并渐渐坠入他的爱情迷局之中。不料Joey惊悉Jimmy有一段不可告人的过去，还是贾所收养的杀手……