国际大都会日本东京,光天化日之下发生了性质极其恶劣的抢劫案。某个十字路口发生诡异的交通事故,科学搜查班(ST)的各位顺藤摸瓜查清了事故的始作俑者——天才黑客镝木彻(中山裕介 饰)。但是ST的领导者赤城左门(藤原龙也 饰)面对众人对镝木的指控闪烁其词,他支开百合根友久(冈田将生 饰),独自前往镝木的住所。未久,镝木葬身火海,而赤城作为重要嫌疑人被同僚拘捕。青山翔(志田未来 饰)、结城翠(芦名星 饰)、黑崎勇治(漥田正孝 饰)、山吹才藏(三宅弘城 饰)等手下自然不会相信赤城的认罪供词,他们想方设法要查清真相,而百合根更为此故意犯罪进入拘留所,试图近距离听取赤城的心声。而就在关键时刻,赤城越狱逃亡…… 本片根据今野敏的原作改编。
拉斐尔是一个拾荒男孩,他在垃圾山每天靠筛分垃圾为生。然而一个幸运而又不幸的一天将他的世界就此改变。这天他无意拾到了一个小钱包,一个充满谜团、线索并足以改变一切的钱包。然而不久,拉斐尔和他的朋友便遭到了腐败警方的追捕,三个男孩便与警方展开了斗智斗勇的追逐。渐渐地,他们逐渐发现这里面是一个关于一位死去的男人未完成的使命,三个拾荒男孩决心接手这份使命,他们将要独自面对危机四伏的世界......
1996年省经贸委干部邱磊响应省政府号召,来到国家级贫困县紫阳县开展扶贫工作。 在短短的三年时间里,邱磊以满腔热情和锲而不合的顽强精神,克服重重困难,帮助贫困山区引进亿元资金,在当地修建了养鸡场、茶场、蔬菜大棚,教村民养甲鱼,种蔬菜;同时还资助失学儿童,使他们重返校园读书。 在邱磊三年扶贫期满之日,当地百姓舍不得他离开,恳请他再留一年。邱磊答应了农民的请求,不料,这使他永远留在了紫阳。 1999年5月13日,邱磊在陪同外地客商考察途中,所乘汽车刹车突然失灵,危急关头,他将别人推出车外,自己却随车落下悬崖,不幸罹难,时年不满36岁。
海伦·亨特加盟亚当·兰道([奇机少年])执导恐怖片[找到了](I See You,暂译)。一位儿童诱拐调查员忍受着妻子出轨的痛苦,妻子也因内疚逐渐变得情绪失常。邪恶之力渐渐入侵他们的家庭,两人的儿子也因此陷入了致命危险当中。本作将于今夏在克利夫兰开机。
内详
讲述了一个想要离开故乡开始新生活而苦苦挣扎的男人在故乡与老朋友重逢,结果卷入始料未及的事件的喜剧片。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
1942年,沦陷的斯洛伐克某小镇上,德国人正在主持修建庞大的木制纪念碑,但当地木匠托尼(Jozef Króner 饰)对此并不关心,妻子的唠叨已经让他足够烦恼。托尼的妹妹嫁给军官后生活大有改观,托尼也借妹夫的权利,获赠一纸批文,得到了大街边一家犹太商店的所有权。店主是一位78岁的犹太寡妇劳特曼(Ida Kaminska 饰),耳聋眼花,托尼与她夹缠不清之际始发现这家商店徒有空壳,早已没有多少货物,然而照顾劳特曼可以得到犹太组织的酬劳,托尼于是瞒着妻子在店中帮工,对外却宣称自己是店长。不久,德国人开始把犹太人收押后运往集中营,托尼想要藏起劳特曼,但心中经历着巨大的煎熬。商店外,犹太人在纪念碑下集中出发,商店内,托尼面对不明所以的老妇借酒浇愁…… 本片获1966年奥斯卡最佳外语片奖。
探险家夏莉带领的科考小队追寻失踪父亲的足迹进入了人迹罕至的绝迹岭,但遭到了史前迅猛龙的袭击,众人在与迅猛龙较量的过程中发现史前迅猛龙的出现与父亲一直在寻找研究的稀有金属有着神秘的联系,夏莉和众人必须在恐龙的凶险攻击中解开谜团,逃离绝迹岭 。
聚焦一对英国夫妇丽芙和威尔,他们似乎拥有一切:坚如磐石的婚姻,在远离家乡几千英里的纽约过着光鲜的新生活,他们还很年轻,觉得自己的人生还在前面,直到丽芙发现了威尔的婚外情。 心碎之后很快就会出现另一种情绪:愤怒,复仇是她唯一的选择。当威尔提议环游美国史诗国家公园、给他们的关系一个新的开始时,丽芙知道她的机会来了,一个梦想的假期和原本应该幸福的生活很快变成了现实中的噩梦。
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