雪与熊

土耳其一个白雪皑皑的偏远小镇上，冬天总是漫长难熬，大雪封路、与世隔绝。有传言说，熊已经提前从冬眠中苏醒，并在四处觅食。虽然没有人真正见过它们，居民们还是很担心它们会很快来到镇上。阿斯利是一名年轻的护士，最近被派到这个小镇履行义务服务。在一个寒冷的夜晚，镇上的一个男人失踪了，这引起了各种谣言。阿斯利也发现自己一步步陷入与之相关的秘密和怀疑的漩涡之中。

萌子美 虽然她有点怪

　　清水萌子美拥有比常人更细腻的感觉，可以体察到玩偶、植物等通常被认为是没有情感的物体的心情，她也因此与他人保持距离，一直活在自己狭小的内心世界里。但终于有一天，她决定敞开心门，迈向更广阔的世界，她会经历怎样的成长呢？

染血王国

沙特阿拉伯首都利雅得，密集的枪声和巨大的爆炸声撕裂了高档住宅区的宁静。针对西方人的恐怖袭击导致上百人死亡，甚至联邦特工人员也在混乱中丧生。这一事件使原本矛盾重重、暗流涌动的国际局势再次紧张起来。FBI派出探员罗纳德·弗鲁瑞（杰米·福克斯 Jamie Foxx 饰）及其小队前往沙特，他们要在5天之内找到幕后的指使者。然而调查比想象中更加困难，沙特当局似乎不愿美国插手“国家内务”，FBI探员不仅要应付恐怖分子设下的重重障碍，还要试图克服来自沙特官方的阻挠与干扰。 为了达成共有的目标，身处不同文化背景的两国调查人员渐渐达成共识，而这一时刻危险正偷偷向他们逼近……

阿金

来到香港讨生活的大陆武术高手阿金（杨紫琼 饰）起初只能去摄影棚做电影替身演员，由于身手不凡又能吃苦，不久她就成为女武师，与武术指导霹雳（洪金宝 饰）成为配合默契的搭档。阿金偶识SAM（黄家诺 饰）后堕入爱河，离开片场随SAM来到深圳，协助他料理卡拉OK厅的生意，慢慢发现自己在SAM心中的位置类似看场子的“保镖”，加上SAM风流成性，阿金在忍无可忍之时带着心伤离开深圳回到香港曾投摄影棚生活，并在霹雳的鼓励帮助下，重建信心很快找回自己。 　　不久霹雳在一次调停武师之间的冲突时被黑帮杀死，他的儿子亚朗也面临被杀害的危险，紧急关头，阿金面无惧色携带亚朗同黑帮展开了一场生死搏斗。

K星异客

一位自称普洛特的戴墨镜男人（凯文•斯帕西 Keven Spacey 饰）突然出现在纽约中央公园车站。他自称来自天琴座附近距地球一千光年的K-PAX星，以超光速来到地球考察。普洛特被当作精神病人入住曼哈顿精神病院，受到马克•鲍威尔医生（杰夫•布里奇斯 Jeff Bridges 饰）的治疗。马克认为普洛特是妄想症患者，却又对普洛特的奇怪行为和不可思议的天文知识将信将疑。同时，普洛特的到来在病院中其他病人中造成轰动，人人都希望能被选中随普洛特回K-PAX星。马克医生竭尽全力希望找出普洛特的真实身份，却没想到自己竟在此过程中越来越被普洛特的理论所说服。普洛特的真实身份究竟为何？ 　　本片被提名美国科幻、幻想和恐怖电影协会最佳男主角（凯文•斯帕西）。

蒲松龄国语

在济南一角，有一个年画世家，他家有一个儿子叫做蒲松龄（马浚伟饰），自幼天资聪颖的他对于书画、故事都极其擅长，蒲父对他的寄望颇大。但误解蒲父的蒲松龄不愿受到父亲的摆布，希望做自己真正想做之事。和镇上的捕快高喆（陈锦鸿饰）结成好友的他，因此知道了镇上不少离奇古怪之事，开阔了他的眼界。某一次，蒲松龄和高喆在追中一起案件时，差点遭到歹徒的毒手，幸而被一名女子小翠（陈法拉饰）相救。原来小翠竟是来报恩的狐仙，她对颇有才情的蒲松龄一见钟情。而另一边，蒲松龄又邂逅了在自家画坊工作的女工柳心如（钟嘉欣饰），而心如来到蒲家原来是有目的的……一出出人鬼狐仙的故事就此上演。

热血教师

【简介】一个带着金丝边眼镜，领带衬衫，褐色头发的男人。可眼睛里却是热力四射的光芒，记得GTO中的鬼冢英吉吗？没错，RON和那个自称要成为最伟大的教师的小混混从事着同样的职业——老师。没有鬼冢的狂野和不羁，RON有的是热情和思想还有成熟男人特有的温柔。RONCLARK从北卡罗莱纳前往纽约大都市一所中学开始了他新的教师生涯。他年轻充满热情富有创造力。他运用独特的教学规则和革新式的教学方法教育每个调皮的小捣蛋，为家境困难想要念书的女孩打通通往课堂的道路，让有着艺术天赋的男孩得以发挥特长。即使刚从肺炎中解脱出来，CLARK马上投入到他的调皮学生当中。学校中的题材永远挖不完，我们知道中国的教育精髓，我们看过鬼冢的日式狂放教育，但是我们没有见过美国学校中如此热血的CLARK，年轻的学生有着各式各样烦恼和天赋，尖锐叛逆，在美国这个倡导自由的国家里CLARK和学生究竟碰撞出怎样的火花？何况出演主角RON的演员可是在Friend和TheWestWing的MatthewPerry哦。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

公司职员

看似平凡的五金制造公司其实是一所铜金属一样冰冷无情的杀人公司。池炯道(苏志燮 饰)虽然整日西服革履，却是该公司业绩卓人的职业杀手。他为公司供职十年，没有一次失手，早已磨练出冷血气质和杀人不眨眼的狠心。但遇到来公司“打工”的新人罗勋(金东俊 饰)时，他突然看到了自己当年的影子。在和罗勋一起执行任务时，炯道有了片刻的恍惚。通过和罗勋的家人交流，他越来越感到亲情的温暖，更在遇到心爱的女人刘美妍(李美妍 饰)时，他的职业敏感发生了变化。在执行一次任务时，因犹豫而导致任务失败，这也让炯道第一次萌生退意，但事情远没有他想象的那样简单。一天之内，他从公司最有前途的职员变为公司的敌人，遭到原同事们追杀的“目标”……

胜利之光第三季

青春充满着无限的可能，年少的我们都为热血的体育着迷过，我们为自己喜爱的队伍呐喊，为耀眼的胜利而欢呼，为无奈的失败而流泪。我们长大了，但我们依然舍不掉那份存在心底为体育而跳动的心。本剧改编自同名热门电影《Friday Night Lights》，以德克萨斯州一个美丽的小镇Dillon为中心，这里深深着迷于全美橄榄球锦标赛，整个小镇的幸福就是橄榄球赛。Dillon最有冠军相 的高中橄榄球队拥有最棒的四分卫明星，和新上任的指导教练ricTaylor。整个球队肩负着小镇的希望，他们身上有压力，但更多的是乡亲们的希望，是一种不可言传的荣耀。关注《Friday Night  Lights》，你就能重新找到年轻时为自己学校荣誉热血沸腾的心，你会看到大洋彼岸那使整个美国神魂颠倒动人心魄的运动——橄榄球。@m.yakubd.cc

冲锋陷阵国语

王启聪（陈奕迅 饰）和李耀庭（郭富城 饰）是互不认识的重案组探员。聪大大咧咧不修边幅，庭辣手灵敏自命不凡。两个性格各异的警界精英因为一宗案件聚到一起，女警冯宝宝（郑希怡 饰）暂时成为他们的上司。 　　这宗案件由KEN（黄品源 饰）引发，他和女友打算盗窃一件价值连城的珠宝，还商量到手后就隐退江湖。结果却是螳螂捕蝉黄雀在后，他们盗来的宝物被另一伙人看上，他们追杀并捉走了KEN，女友则带着珠宝幸得逃走。她向警方提出要求：她愿意用这条项链，换回KEN的安全回来。 　　警方开始追查绑架KEN的黑帮。其间聪、庭和冯宝宝却意见各异冲突不断。案件的侦破困难重重。

是，大臣 1984圣诞特辑

Sitcom about a British government minister and the advisers who surround him. The seasonal festivities at the Department of Administrative Affairs are overshadowed by rumours of a cabinet reshuffle. But a leadership election and the Eurosausage affair could lead to great things for Jim Hacker.